That
sound you heard at about 9:59 Monday night was anyone who's been
watching "The Following" on Fox – the creepy Kevin Bacon
serial killer show – shouting "Bullshit." That's sure
what we did.
But
there's a lesson to be learned. I guess, that applies to writing. There's always a
lesson to be learned, whether you're watching people, or reading
something really good, or watching something on TV that's really
shitty.
We
like Bacon, so we gave "The Following" a look, and at first
it was OK. But about four episodes ago, when the female cop suddenly
shot the FBI agent so the psycho bitch could get away with the kid,
because the female cop turned out to be – gasp! – part of the
serial killer's cult army of devoted followers, I thought, "That's
pretty cheap." In fact, right before it happened, I turned to
Tori and said, "She's gonna shoot him." It was pretty
obvious, and obvious is what TV does best. It's the show's signature.
The villain has a never-ending supply of devotees who can outgun the
FBI and out plot everyone. In other words, "shocking" things
happen not because they make sense, but because the writers wish it
so.
Last
night was the last straw. Nothing in the episode made sense. If you
thought about it, the whole episode was superfluous because it
involved Bacon's character trying to save the woman from being captured by the psycho
army, only to have the woman decide to go ahead and go off with them
on her own. And she'd already done that once, a month ago and it
didn't work then, so there was no way she'd do it again. That was
just dumb. It was the arbitrary actions of a character under the
command of shallow writers.
Monday
when the "big shocker" happened – or what the writers obviously
thought would be the big shocker – happened right at the end –
you could just hear the writers saying to themselves, "This'll
be so cool. It'll make them scream!" All it did was make me and
Tori shout simultaneously, "Bullshit!" Not "Holy
smokes!" or "Whoa! Didn't see that coming." We shouted
"Bullshit," and "Bullshit" is what we meant.
When
the writers let you see how clever they think they are, all it does
is piss you off.
I
don't care any more. I'm done with it. Kevin Bacon is on his own.
We're not following "The Following" any further. But there
was a lesson for us as writers – There's a big difference between
being clever – for instance, watch the BBC's "Sherlock" – and being smugly manipulative
Respect
your characters, and respect your readers. Don't waste a lot of time
showing off.
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